“I was a terrible child,” Jackson says to me. We’re on a beach–Singing Beach–which is a short walk from a train station called, romantically, Manchester by the Sea. “Very bossy. I used to boss everyone around. My sister was my little minion, until she figured it out and escaped.”
He goes on: “At the beach, I used to make coins out of mud and make the other kids pay with them for things, and I would charge interest since I invented the currency.”
People Are Like Pencils
People are like pencils; honed and whole at first, with a core of potential words hidden beneath a sheath of laminate, a hard-gloss finish in any and every color. People are like pencils; sharpened to a lethal point in a moment of whirring tumult, a point that might prick blood in the half-thought of haste, a point that cuts across yawns of ambiguous blankness in precise, stringent lines that structure and rectify, cross-out and destroy. People are like pencils; their words might be erased, but not the actual imprints they etch on the surfaces they touch; when their sentences are gone, the ghosts of their sentiments are left behind as pocks and scars and smudges and particles of dust.